The Dispossessed is an ongoing series exploring fragile human presence within unstable environments. Set within vast, shifting fields of colour and atmosphere, minimal figures emerge as traces of movement, connection, and vulnerability. The works do not depict specific places but evoke psychological and existential landscapes shaped by uncertainty, displacement, and transformation. Through a restrained visual language, the series reflects on what it means to persist without fixed ground — where identity, memory, and belonging are in constant flux, and where presence is both temporary and essential.